正在播放榮耀六十年1938HD中字-榮耀六十年1938详情介绍-榮耀六十年1938在线观看-榮耀六十年1938迅雷下载

正在播放：榮耀六十年1938-HD中字
如果無法播放請重新刷新頁面，或者切換線路。
如果無法播放請清除瀏覽器緩存
無痕模式下請開啟允許第三方cookie。

收藏
报错
刷新
697
886
分享
复制下方内容粘贴给好友
我正在观看榮耀六十年1938HD中字，地址：https://feima.eu.org/index.php/vod/play/id/543043/sid/1/nid/1.html
复制到剪贴板
手机
扫一扫用手机观看
上集
下集

榮耀六十年1938HD中字

2024-07-06更新 / 9.0分/电影/英国/1938

排序

播放地址

高清藍光

HD中字

剧情简介

导演：HerbertWilcox

主演：Anna Neagle Anton Walbrook C. Aubrey Smith Walter Rilla

Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.　　The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).　　The title music sets the tone: a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.　　The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.　　Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.　　Roger Philip Mellor…详情